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nano
lab's Telecine Transfer Service
Nano can now offer a telecine service to transfer your processed
films to digital via our frame-by-frame film scanning system. We
output to digital computer file only - not to tape. Cost is $20
per 50' of Super 8 or Standard 8 processed at the lab. This is a
cheap and effective fixed price service yielding as good a quality
as any frame-by-frame scanning system can produce.
nano lab can
now offer an upload preview service!
In a desparate
hurry to see your transfered footage? We can now 'upload' a compressed
version of your rolls so that you can get an advanced peek at your
footage. A 50' roll is compressed to approximately 11meg of data
- so there is quite a bit of compression, but you can get a very
good idea of what you got 'in the can' this way. Cost is $10 per
50' on top of the telecine charges.
Below are some sample images of actual super 8 frames captured (here
shown reduced 50% and with JPEG compression):
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Ektachrome
64T
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Ektachrome
64T |
Ektachrome
100D |
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Kodachrome
40 |
Our usual output is a DV codec '.avi' file (720 x 576 with PAL 1.094
pixles). This is a file size of abut 600 meg per roll. This can
be at 18, 24 or 25 fps at your request (and if you don't let us
know, we will do our best to guess!).
We are also
able to provide multiples files of the same roll of film with the
film 'rendered' to different filming speeds. This means that if
you want to shoot some shots at 18 and some at 24 fps ON THE SAME
ROLL you can. There is an additional cost of $5 per duplicate file.
Our transfers are always supervised and do not use an automatic
iris for exposure control. This means that where there is a change
in brightness between sceenes, we stop the transfer, back up the
film, and start the transfer again with a new iris setting from
the beginning of the shot. There may well thus be instances of shots,
or parts of shots, transfered more than once with different exposure
levels. Please let us know if you do not want this to happen and
would rather have the iris changed 'on the fly'.
Please note, as with all frame-by-frame transfer systems, we
cannot transfer the sound of sound films.
It is also worth noting that we can only get good results when transfering
correctly exposed film. Under exposed film will show very high levels
of grain, extreme colour saturation and greatly exagerated contrast.
The resulting transfer will appear extremely 'blotchy' with burnt
out high lights and very dark areas with not much in between. Here
is an example of what under exposed film would look like transfered:
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.JPG) |
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This 'blotchy' result
is caused by underexposure. |
Over exposed footage will have a reduced grain,
very low colour saturation and almost no contrast. Any dust and
scratches on the footage - even dust and scratches not normally
visable - will be greatly exagerated. Be warned. If we think your
footage is like this, we will let you know and may opt not to transfer
it. It may be possible to salvage such footage by having it transfered
using a continuous motion (flying-spot) scanner
For more information about telecine in general, please visit our
'all about telecine services' page.
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